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If My Heart Had Windows

A music fan's Opinion

Her sophomore effort for MCA finds Loveless softening her edges slightly, including two classic country songs (a wonderful swing version of Hank Williams' "I Can't Get You Off of My Mind" and Dallas Frazier's waltz title track) alongside some modern-day country rockers penned by Nashvile's cream. Loveless' version of Steve Earle's "A Little Bit In Love" bests his demo (that, in itself, is an accomplishment), and she gal-handles Karen Staley's rollicking "So Good To Be In Love." "Baby's Gone Blues" gets an exquisite 3/4 time treatment with subtle background strings. "Working Man's Hands" features a dobro instrumental hook leading a touching tribute to her Kentucky coal miner father. Loveless' superb tenor and the tasteful mix of bluegrass and modern instrumental arrangements have her honing her still-rootsy sound to a fine edge and demonstrating without a doubt that she was making the best albums of any woman in Nashville in the late 1980's.